New Space

About three weeks after my first child was born and we brought him home to an icy cold, windswept spit of land overlooking Rockport Harbor (there was a house there, too), my wife said, "Leave!" This was not a precursor (to the best of my knowlege). She was referring to my work ethic. We were young, inexperienced, and freelance. A most unproductive concoction. I opened the Gloucester Times classifieds. A week later I rented my first out-of-home office in a hundred-year-old schoolhouse. It was bliss. I have not worked from home, since.

About three weeks ago,  my latest New York office space went the way of so much real estate in the city. The rent to the company I was subletting from quintupled, they balked, and in the space of days, I was out on the street.

With Ben & Matty starting back to high school, working from home was simply not an option. I was far too used to my writing routines. Make kids lunch. Attempt to get them out the door on time. New York Times at a local coffee shop. Brisk walk to the subway. Q train into town. New Yorker, iTunes, or simply enjoy the never-ending show that 4 million subway riders a day provide. I couldn't bear the thought of working from home. Also, there was the problem of lack of external stimulation, ease of napping, and eating everything in the fridge. Within days, I wasn't even bothering with the bread.

I scoured the Web for solutions, but New York is hot again and rents have skyrocketed. Just as panic was setting in (de rigeur for the wordsmithing class), I stumbled upon a space that at first glance was too good to be true. A rent within reach for those of us who have not achieved Grisham or Flynn status. A spacious, cozy, wide open floor with great light and city views. Couches and easy chairs for naps. Free pretzels in the lunch room. And it is a sanctuary of creativity, open only to writers. I applied. I got in. I wept, and set up shop. 

The Room, as it were, is so appealing and enigmatic that I dare not give away trade secrets. I will only share this much. The view is to die for.

You can't beat the neighborhood.

If you're gonna create for a living, why not be around a little culture!

You've got all the basic food groups...

Good tunes for the ride to & fro...

Loads of inspiration...

You can even enjoy a little spiritual uplift when the muse is on break.

The writing life is chockful of surprises. I am happy to report, this blank page has turned out to be mercifully short and fraught with potential. Stay tuned...

The night is young!

Starry Starry Night

I was recently reminded why I call this site The Ramen Blog. Not only because I have a deep and abiding love for chili-flavored salt and noodles, but because every artist I know struggles to be seen and heard. For many of us, this often involves making do with satisfying food that costs 25-cents a pack. But then every once in a while all that work (and salt!) pays off. 

On Friday night, my friend, the painter Elizabeth Reagh, had a show at the Ground Floor Gallery in Park Slope, home not only to the stroller brigades by day, but many deeply impassioned creatives by night. They came out en masse -- painters, graphics gurus, musicians, even a few novelists -- to support Elizabeth and the others who were featured in the show. 

The gallery was packed and the artists all spoke. Elizabeth waxed poetic about her process, sharing one story that especially resonated, about staring down the blank canvas and occasionally having to admit that there was nothing there. In which case the choice was to admit defeat and return to the drawing board. The results were dramatic. I think we all celebrated a little bit in our hearts for her success.

Afterwards, over Pisco Sours and delicious Peruvian food (the green sauce slathered on top of the crispy half-chicken at Coco Roco is to die for!), eight of us debated the process of marketing versus creation. The art of the sale we deemed a necessity, for if no one sees your work, what's the point? But the silent undercurrent of the evening was that for those of us who create, regardless of commercial success, there is no choice. We all have day jobs. But it is the stuff of our words and images that keep us up at night. 

"The Girls next Door." A group show featuring six female artists from the Park Slope/Gowanus area: Cecile Chong, Melanie Fischer, Rachel Kroh, Colette Murphy, Elizabeth Reagh and Liz Sweibel. Through September. 343 Fifth Street just above 5th A…

"The Girls next Door." A group show featuring six female artists from the Park Slope/Gowanus area: Cecile Chong, Melanie Fischer, Rachel Kroh, Colette Murphy, Elizabeth Reagh and Liz Sweibel. Through September. 343 Fifth Street just above 5th Avenue in Park Slope. (http://groundfloorbk.com/)

Twin Views

Thirteen years ago my wife and I were together in Rockport, MA raising two boys, aged 1 and 3. Today, we're apart, raising two teenagers in Brooklyn, NY. The photographs below were captured and posted coincidentally within minutes of one another, just before midnight on 9/11.  Different lives, similar sentiment. 

Fish Tale

I have mercilessly teased a dear friend of mine for always insisting on grilling the waiter about the provenance of her salmon. I am a huge consumer of raw fish (I eat so much raw tuna it is quite possible that I glow in the dark), and I am not picky. If it looks and smells fresh, game on. Farmed. Organic. Line caught on a cloudy day. Whatever.

That was until last month when my friends brought home local Atlantic salmon from the fishmongress at the Intermarche in La Jarrie. I was skeptical, but assigned the task of chef I did my thing (despite being relegated to a gas grill. Mon dieu!) 

The result? I am nearly at a loss of words. This fish -- with nothing more than a little oil, herb de provence and sea salt -- was beyond belief! The flavor, the texture. Mouthwatering is the best word I can come up with. If Scotland secedes from the UK in 2 weeks, my grill dollars are on their second best-known export. Goes well with rice pilaf and a wee dram.

A different stroll through Paris

I've been coming here since my early twenties: love at first sight. To this day, like New York, I feel at home the minute my feet hit the pavement. So what an incredible surprise it was to find myself a newcomer to Pere Lachaise.  First stop, its most iconic American resident.

Next up, a visit with the Republic's most famous chanteuse.

It was heartening to see reverent crowds at the stone of one of the world's great bards. His grave has been updated and glass surrounds it for protection. Still, the tributes are dropped over the side by fans of a writer who has not written in a very long time.

The park where all these amazing spirits reside is huge and the kids were completely taken.

You'd have to be a scholar of French history, or spend many days burning out your Google to even touch the number of famous people laid to rest here, but some of the monuments were especially sobering.

Then others offered a lighter perspective on lasting passage.

There was no lack of literary greatness.

But what I found most special of all were the incredible images that captured the eye and imagination at every turn of the path.

A New Yorker in Wisconsin?

Odds are when we NY types think of Wisconsin the word "Madison" comes to mind. Or perhaps the Brewers. Milwaukee. Green Bay! But even when you think of the Packers, who has ever referred to them as Wisconsin's team? So when my wife proposed a summer's week in Door County, my first question was, 'Where the heck is that?' 

This is what happens when you marry into the Midwest. 

There is a county called Door that looks a lot like Cape Cod.

But as close as you are to the water - Green Bay and Lake Michigan are just a few miles apart - you're never far from the American heartland. 

There's plenty of good food to eat.

But most of all, no matter what direction you aim your bicycle or car, you find this incredible rich patchwork of images, all scattered and hidden at the very top of the Great Lakes.

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View from the 'hood

You know you're really home when you can derive such joy from your old Schwinn 10-speed, a summer's afternoon, and a ride through your town with no destination. Been to Ikea. Been to Fairway. But never really explored Red Hook. Here is what I found.

Culture Hopping in Manhattan

What can I say about Matty? My sister said someone should follow that kid around with a pad of paper, when he was four! No surprise he's turned out a bit on the artsy side like, say, his Dad? First stop? Village Cinema for subtitled Swedish film about rebellious punk youth in  80s Stockholm.

Next, a stroll through the East Village, where we opted for spicy Ramen, gyoza, and delicious yakitori skewers at Japanese hole-in-the-wall Oh Taisho. 

Crosstown to Soho and the place is jumping.

Then, to complete the cultural journey, on Matty's cue a visit to Israeli-based Aroma for his beverage of choice, a sweet reminder of his trip to Israel this winter. 

I couldn't have asked for a better pre-Father's Day date!

Summer in the City

Food season has finally arrived in NY! Lunchtime and a book at Madison Square Park. The Mister Softee trucks have re-appeared. Wonderful smells are on the march at every smoky turn. Below: Madison Square Eats. A dense, packed triangle of pure joy. 


The Original Mad Men

Richard in the middle. Love those ties!

Richard in the middle. Love those ties!

Some of my earliest memories of my father were the stories he'd tell about his job, in particular the three-martini luncheons he'd share with his fellow TV executives in the 1960s when he worked on Madison Avenue for Trans Lux Television. Dad smoked Newports. He dressed sharply, smelled of Mennen aftershave, and he'd come home in the evening and talk about what he ate for lunch at those meetings. I'm not sure my sibs cared, but I specifically recall something called "The King Henry Cut," which was a slab of beef, apparently of gargantuan proportions. I'm guessing his colleagues have passed on too, perhaps a long time ago, considering the health benefits of 22 ounces of marbled prime washed down with vodka and maybe a Napoleon chaser. I thought Dad was cool. I could not get enough of those stories.

The early days of film. Truly. 

The early days of film. Truly. 

We were decidedly middle class, living literally on the downside of the busy road that separated Scarsdale from Ardsley. There was never a Cadillac or Mercedes in our garage. But I was definitely the only kid on the block with a screening room in his basement. For our earliest birthday parties my Dad would bring home 16 mm film reels from work.  He would carefully ratchet them up on our Bell & Howell projector and then show home movies before cake: Felix the Cat, Speed Racer, Gigantor, and a show I suspect no living person remembers called Mack & Meyer for Hire. We were five. It was the bomb!

Proud Felix. 

Proud Felix. 

Later, when he took a job with the AFI, we transplanted to the Maryland suburbs for my high school years. He cut a hole in the family room wall, installed soundproof glass, and set up the movie projector in the laundry room behind the wall. A Marimekko print hung over the glass, only removed for screenings, now in the comfort of our overwrought black and white furnished "den." About once a month he brought home short films made by the AFI directing students. I'm sure that one of those early works he screened called "The Lost Phoebe" is why I went on to study film and begin my professional life as a screenwriter. 

My father was marvelously proud of his career and not long before his death he assigned me the task of writing his obituary. Frankly, this was an assignment I would have rather turned down, and I did ultimately put it off until he could not have a say in rewrites. I knocked off an okay first draft, but one line landed on the cutting room floor.

I wouldn't say I've followed in his footsteps. He was a businessman. I am a writer. But there isn't a doubt in my mind that his business -- and the creative vision that it planted in my head -- fueled the passion that drives me to the keys every single day. Thanks Dad. I often dreamed I'd be saying that from a much larger stage, but this will have to do. So it didn't make the Times obit pages. It still counts just fine.

Richard, during his Executive Director days of the International Council of NATAS, with the head writer of the broadcast, chatting with his mom.

Richard, during his Executive Director days of the International Council of NATAS, with the head writer of the broadcast, chatting with his mom.

Books, Wine & Song: One Author's Adventure at Reading Club

Early on, during this revelatory process of "self publishing," a writer friend told me she spends 2-4 hours a day on "social media." At the time I thought she was nuts. Now, I understand. She is just hungry, like every writer I know who has written and has one goal: to be read. I'm pretty sure most people who enjoy reading understand that writers do not get rich off of books. We have other jobs. We write other things. That pay the bills. So we can write. More books.

I have been so honored, thrilled and plain ol' pleased to grow a readership with FOOD FOR MARRIAGE -- a book that does not exist in a bookstore (yet!) -- by simply reaching out in every conceivable way I know, to attract people to the pages and give it a look-see. In return I get emails from strangers on planes. I sometimes get to read in public places. And I have been fortunate enough to attract the interest of friends' book groups. Several of these friends have asked if I would come join them for an evening. So last week I decided to stage my own mini-version of a Book Tour. Arlington Heights, IL and Longwood, FL. Back-to-back evenings as it turned out. I confess: I was a little nervous. What if they hated my novel? What if they hated me??? 

My fears, of course, were unfounded. In reality, I just was lucky to be admitted to two really cool clubs. Sure, we talked about FOOD FOR MARRIAGE and I learned plenty -- about marriage, relationships, parenting, romance, intimacy and friendship. I was thrilled to experience the sparks that my words ignited, as these women who love books launched incredible conversations off the backs of characters I invented. I got to encourage a 14-year old daughter to fight back her fear of failing and pursue her own writing craft. And long after we'd retired the dog-eared pages of my novel, I got to sit up late with really interesting women, drink a little wine (well, a lot of wine), tell some stories, laugh, and also, celebrate books.

Maybe the best part of all was watching each group make their next selection. For those who read the writing on the wall and think books are dead, they need merely join a book club to learn otherwise. And for all my writer friends who paper their garrets with the heartbreaking string of knowing rejection letters (and believe me, I have plenty of wallpaper!), take hope. Two dozen women in two different states, far from the cubicles of NYC, convinced me. Real readers are hungry for great characters, great stories and a great time.

My new novel is complete and making the rounds. To the passionate  readers -- my newfound friends -- who ALL asked, when's your next book coming out? Save my seat at the table. The answer is soon, and I can't wait to see you again.


Art. Work.

I did nothing today. So I did something, tonight.

Not exactly true. I worked hard. I wrote. About international shipping, and data; sales numbers, nanotechnology, and the environment. 

My day job. I created all day. I earned. I put food on the table. A little something to show.

My friend Roy has a day job, too.  He teaches music at a New York City high school. No easy feat, for sure. Roy also writes. And plays. And creates. We used to coach Little League together. Our kids still hang. The grownups occasionally get together. Tequila is sometimes involved.

We all went to see Roy gig tonight.  Roy Nathanson & Sotto Voce premiering their new work at The Public in NYC. 

I don't know many people who give more to their art than Roy. When he first stepped on stage, he sipped some coffee and thumbed through the pages on his music stand. He looked like it had been a long day at work. By the time his set was complete, the place was exuberant. Roy peered out through the stage lights. He seemed happy. A few moments later he was sitting cross-legged on the stage packing up his horns. I saw his guitarist out on the street, hauling his gear to the subway. Art is sacrifice. And hard work. The reward is mostly in the appreciation. Tonight I hope Roy and Sotto Voce went home wealthy. I know we sure did.


Everyone's Best Friend

A long time ago in a place known as my burgeoning field of dreams, I had an idea for a screenplay about a young Jewish banker-type from New York who gets sent to Montana on a land deal that he cannot close and, instead, falls in love with the farmer's daughter. Back then I had a day job in the city that I could not quit, but I needed to write this screenplay. Enter The Barn!

Larry was busy building his sandwich empire at Jerry's, based out of his first shop in Wheaton. Barn and I were close -- high school was still near enough in our rearview mirrors that the words 'best friends' still rang with meaning. I Amtrak-ed down to Maryland for the weekend and shared my dilemma with a true entrepreneur, this being back when startups involved hard work and someone actually making something: in Larry's case, heroes with special sauce (schmo as he called it). I spent the afternoon on "the line" with The Barn, making sandwiches, helping out in the shop, watching his staff who simply loved him work their butts off, and having the time of my life.

At the end of the weekend, as I was dejectedly getting ready to return to the dreary reality of my day job in NYC, Larry pulled out a thick envelope. I asked, "What's this?"

"Just stick it in your bag, fill out everything, and pay me back someday. There's a check inside."

No haggling. No negotiations. No worries. Larry made me an employee of his company and advanced me enough seed money to quit my day job. I vanished to the windswept winter coast of Rockport, MA to write the screenplay MONTANA. Six months later I optioned the rights to an Oscar-winning production company in L.A. and my creative writing career began in earnest.  I paid Larry back every penny. I have been a professional writer ever since. MONTANA made me several years worth of income and it even had Kevin Kline attached at one point. Sadly, it never made it to the big screen. And I never got to make my Oscar acceptance speech, thanking The Barn for making one very special dream of mine come true.

My high school friends who are reading this will know why I called this piece "Everyone's Best Friend." And even those who didn't know The Barn, surely will remember someone from their teenaged past who was, well, everyone's best friend.

A lot of us lost touch with The Barn over the years. He lived his own life: rich, colorful, successful at times, hard as hell at times. But he lived. Oh my god, Barn lived. For all the tears shed at his loss, Barn leaves every last person who ever met him with a smile. He was larger than life. He was...The Barn. And if you ever were graced by that smile of his, or felt his strong hand on your back, you will never forget him. He was a force we will carry forever.

Can we talk about squid?

Two recent visits to the venerable Joe's Shanghai in Chinatown inspired me to take to the knife and attempt a dish by tastebud, sight and invention. A new friend asked a great question: Where did my obsession with cooking come from? I think the answer is closely related to this blog, my books and my chosen profession. I love writing, but at the end of the day, when you have written, most often what you are left with are...words. Tasty, but not always filling. So going back as long as I can recall, preparing food late at night was the reward at the end of a good day. (When we lived in Rockport, splitting wood worked, too.) 

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As to this curious new medium of which I am always trying to decipher and define, the below culinary excursion defines The Ramen Blog for me, perfectly. Fun fixin's, a little creativity, and super low cost (read: writers & artists are far more often found in the 6-soup-packets-for-$1.99-aisle than in the $15/cocktail speakeasies of NY!) 

So...

--Couple of cleaned hunks of squid

--Scallions

--Garlic

--Oil

--Flour

--One packet of Ramen

Total cost, under five bucks. The experience of gettting it right on the first try? Priceless!

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